“物象”是晚唐五代诗格最关心的话题。诗格作者借助“体用”逻辑将物象理论与诗教讽喻传统紧密地结合起来,转换了古代诗学“物象”论将要通向意境美学的一般思路,客观上弥补了儒学文论对艺术美价值估计不足的缺憾。同时,晚唐五代诗格对“物象”“声律”“体势”等具体问题的讨论,使得古典诗学成为一门技术性很强的专门之学。 “Image ” is the most concerned topic of poetry in the late Tang and Five Dynasties. With the help of “body ” logic, the poetic genre closely integrates the object theory with the tradition of poetic allegory and transforms the general idea that ancient poetics and “object and image” theory will lead to artistic conception and objectively makes up for Confucianism On the shortcomings of underestimating the value of artistic beauty. At the same time, the discussion of the specific problems such as “image ” “sound law ” “body ” and so on in the late Tang and Five Dynasties poetry makes classical poetics become a highly specialized technical school.