“篇”既是二人转艺人的行话,又是学者总结二人转艺术规律时使用的术语。二人转的典型篇有相貌篇、景物篇、盘家乡篇、思梦篇、写信篇、文采篇、凭证盟誓许愿篇、五更篇等。“篇”对于二人转的传承具有非常重要的意义,“篇”极具构剧能力——同一类型的“篇”可以在不同剧目中灵活使用,不同的“篇”也可相互置换,“篇”富有艺术张力,可根据文本内容、观众要求及演出场合灵活增减,此外,艺人为了显示自己掌握大量剧目,会不断地丰富“篇”的内容。“篇”的传统性与灵活性,在当代二人转舞台上仍有生存发展空间。 “Piece ” is both a jargon for the artist and a term used by scholars to summarize the law of the two. The typical two-man chapter looks like articles, scenery articles, Panjiaxiang chapter, thinking dream articles, writing articles, essay articles, vows vows vowed articles, five more articles. “Articles ” has a very important meaning for the succession of duos, “articles ” great ability of tectonic play - the same type “articles ” can be flexibly used in different repertoires, different They can also be replaced with each other. “Piece ” is full of artistic tension. It can flexibly increase or decrease depending on the text content, audience requirements and performance occasions. In addition, the artist constantly enriches the content of “Piece” in order to show that he masters a lot of plays. “Articles ” tradition and flexibility, there is still room for survival and development in the contemporary two-person stage.