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[案,此文系集古今中外有关文论之作,仅逻辑结构与结论部分为本文所是。] 西汉史学家司马迁《史记》“乐书”记载: 大乐与天地同和[1]是为中国古代音乐审美观念的一种精辟见解。德国哲学家康德《判断力批判》有
“执其两端用其中”——“和”作为“中动语态”及“审美无利害关系论”
【摘 要】
：
[案,此文系集古今中外有关文论之作,仅逻辑结构与结论部分为本文所是。] 西汉史学家司马迁《史记》“乐书”记载: 大乐与天地同和[1]是为中国古代音乐审美观念的一种精辟见解
【出 处】
：
星海音乐学院学报
【发表日期】
：
1991年Z2期
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