对人的内心世界的发掘,是不同时代作家的使命所在。刘继明曾经在一次访谈中感慨:“在这个时代,解决内心的问题,似乎越来越没有解决一些峻急的外部问题那么重要了。”而“解决内心的问题”恰恰是写作存在的意义。本期刊发的两个中篇,都与“失去”和“内心”有关。一边走,一边失去。这多少有些伤感。刘继明的《边走边唱》,讲的是传统地方戏的衰落,一个由老戏骨武海生勉强撑起的不伦不类的草台班子,走乡串户,边走边唱,却从来没有一场戏真正善终;林森的《捧一个冰椰子度过漫长夏日》写的是居住在城乡接合部的年轻人的情感与生活,以及城中村人的生存 The excavation of people’s inner world is the mission of writers of different ages. Liu Jiming once said in an interview: “In this era, it seems that the solution to the inner problems is less and less important for solving some urgent external problems.” “The solution to inner problems” is precisely the existence of writing Meaning. Two articles published in this issue are related to “Lost ” and “Heart ”. Lost while walking. This is somewhat sad. Liu Jiming’s “Singing Around While Walking” is about the decline of traditional local operas. An erroneous grass-roots grass-leaf team barely supported by the old drama Bushi Wu Haisheng, Sen’s “holding an ice coconut spent a long summer,” wrote the living and living of young people living in urban and rural areas, as well as the survival of urban villagers