《诗经》中的“国风”,和以《离骚》为代表的楚辞,是我国古代诗歌的两大典范,滋润着我国历代诗歌的繁荣与发展。作为中国诗歌的两大源头,自古以来风、骚并称并存,犹如南北两朵奇葩,争奇斗妍,竞相开放。比较“风”“骚”,既有共同性特征,又更具各自独特的诗艺风格。“风”率性而言,不加雕饰;“骚”神山仙界,奇响不绝。“风”朴实、幽闲,“骚”华丽、苍翠。本文对“风”、“骚”诗风的异同进行了粗略比较研究,以期加深对“风”“骚”个性化诗风特征的理解。 The “Guofeng” in the “Book of Songs” and the “Chu Ci” represented by “Li Sao” are two models of ancient Chinese poetry, which nourish the prosperity and development of Chinese ancient poetry. As the two major sources of Chinese poetry, since ancient times the wind, Sao and said coexist, like two wonderful flower north and south, compete against each other, competing open. Comparing “Wind” and “Sao” has both common features and more unique poetic styles. “Wind” rate is concerned, without carving; “Sao” Shen Shan Xianjie, odd never stop. “Wind” simple, quiet, “Sao” gorgeous, green. This paper makes a rough comparison of the similarities and differences between the poetic styles of “Feng” and “Sao” with a view to deepening the understanding of the poetic style of “Feng” and “Sao”.