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嵇康《声无哀乐论》音乐美学思想的出现,是受古代道家哲学及音乐美学思想的影响,也与他生活的时代文化和政治环境及个人审美分不开的,本文就从这三个层面来谈嵇康音乐美学思想渊源。
The appearance of music aesthetics of Ji Kang’s theory of “sound without sadness and happiness” is influenced by ancient Taoist philosophy and music aesthetics thought as well as the cultural, political environment and personal aesthetics of his life. On the Origin of Ji Kang ’s Aesthetic Theory of Music.