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传统古筝艺术宝库具有其不可再生性,对当下和今后的民族音乐创作仍有很大的借鉴价值,因此亟需保护。其不同流派因保护状况不同而显现出传播态势的不同,已有鲜活的例子。目前,很多地方的古筝演奏、制作技艺已经成功进入“非遗”目录,但具体的保护和传承依然任重道远。为尽量发挥“非遗”古筝项目的社会效益,应以古筝艺术传承人的抢救和教育为中心,在尊重其艺术个性的前提下树立其责任意识,并坚持挖掘、整理、出版、展示、研修多面工作并重,以活态传承和体验传承为高层次目标,积极利用传统媒体与新媒体各自的优势展示传统古筝的魅力,提升其在古筝艺术界的话语权。
Traditional guzheng art treasure house has its non-renewable nature, and it still has great reference value for contemporary and future national music creation. Therefore, it is in urgent need of protection. There are vivid examples of the differences in the status of their dissemination due to the different protections of their different schools. At present, the guzheng performance and production techniques in many places have successfully entered the “non-legacy” directory, but the specific protection and inheritance still have a long way to go. In order to give full play to the social benefits of the “non-legacy” guzheng project, we should take the rescue and education of the guzheng art heritage as the center, establish its sense of responsibility under the premise of respecting its artistic individuality, and insist on excavating, organizing, publishing and displaying , Pay equal attention to multi-faceted work, take the living heritage and experience the inheritance as the high-level goals, and actively make use of the respective advantages of traditional media and new media to demonstrate the charm of traditional guzheng and enhance its voice in the guzheng art world.