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翁奋教授讲过:最蹩脚的艺术家是不是科学家的艺术家,最蹩脚的科学家是不是艺术家的科学家。一语道破未来艺术的共融共生性,甚至是艺术和文化、艺术和种族、艺术和殖民地等等的无限交织联想。20世纪90年代互联网等技术的传播及普及使人们开始就艺术与技术的关系进行更深一层的思考。有些艺术家开始策划将展览场地建成实验性质的场所,让个性作品在那里有实践性的、创新性的想法。在比利时的一个名为“实验室”的
Professor Weng Fen said: the most crappy artist is not a scientist artist, the most crappy scientist is not an artist’s scientist. The phrase breaks the communion and symbiosis of future art and even the inextricable associations of art and culture, art and race, art and colony. The spread and popularization of technologies such as the Internet in the 1990s led people to start thinking deeper about the relationship between art and technology. Some artists have begun to plan the construction of exhibition venues as experimental venues where personal works have practical and innovative ideas. One in Belgium called “Lab ”