庄子与柏拉图作为中国与西方思想文化的源头,分别体现了中西文化各自独特的心理构成、思维模式与文化积淀。近乎同时代的他们,不约而同地都对美学问题进行了独特的阐述,在两千多年后的今天,回首这两人的美学思想,我们既会惊讶于他们的共同之处,也会体察到二者细微的区别。 Zhuangzi and Plato, as the source of the ideological and cultural traditions in China and the West, respectively embody the unique psychological composition, mode of thinking and cultural accumulation of Chinese and Western cultures. At almost the same age, they spontaneously elaborated aesthetically their unique problems. Two thousand years later, looking back on the aesthetic ideas of the two men, we are both surprised at what they are in common but also aware of The subtle difference between the two.