与传统艺术思想对比,展览体书法最大的问题是在利益最大化动机的驱使下,把原本处于工具地位的技法、形式当作终极目标来追求,在本质上是一种新的“干禄体”书风,陷入到韦伯所说的工具理性漩涡,从而与传统书法价值体系相背离。展览体书风虽然表面上是在近几十年展览形式刺激下生成的,在本质上却是社会思 Contrary to the traditional art thoughts, the biggest problem of the calligraphy in the exhibition is driven by the maximization of interests, and pursues the technique and form originally in the position of a tool as the ultimate goal. In essence, it is a new type of “ Body ”book style, plunged into Weber’s rational whirlpool of tools, so as to deviate from the traditional value system of calligraphy. Although the appearance of the style of the exhibition body is superficially generated under the stimulation of exhibition forms in recent decades, it is essentially social thinking