在诱惑中迷醉、乐此不疲、欲罢不能,这场游戏只有永远的玩家而没有赢家,观众与大众媒体和消费文化之间的积怨终于在这次展览中得到了合乎逻辑的阐释——我们与图像间的关系被层层肢解、切片分析,而后期效应又最终在眼前反复回放。托马斯·拜耶尔勒《大笑的奶牛》中涌现了成群的奶牛,从地板延伸到天花板,它们咧嘴笑的瞬间被定格,笑中充满 Fascinated by the temptation, never tired, unable to stop, this game is only an eternal player and no winner, the audience and the mass media and consumer culture between the grudges finally got the logical interpretation of this exhibition - between us and the image Relations are layers of dismemberment, slice analysis, and post-effects and finally in the eyes of repeated playback. Thousands of cows appeared in Llamas’ Milk Litter, by Thomas Beyer, extending from the floor to the ceiling, freezing their grin and filling them with laughter