从19世纪末到20世纪初,国门被动得以开放,西方文化破门而入,传统文化来不及应答,就在国人的声讨声中与西方文化带来的现代文化展开了冲突。这种冲突反映在戏曲领域,就是中国人对待中国戏曲态度上颇具意味的变化:从温和的改 From the late nineteenth century to the early twentieth century, the country’s door was open to the outside world. Western culture broke through the door and the traditional culture was too late to reply. In the voice of the Chinese people, they clashed with the modern culture brought by the Western culture. This kind of conflict, reflected in the field of opera, is a rather meaningful change in Chinese attitude toward Chinese opera: from a moderate change