二战以来,日本先后遭受原子弹轰炸以及核辐射的影响,长期生活在核威胁的恐怖中。然而日本政府长期以来却执著地推进核政策,这引发日本民众的不满,多次掀起反核运动。在知识界,反核姿态坚定、长期致力于以反核为主题写作的,莫过于大江健三郎。大江漫长的反核历程中不断遭受部分知识界人士的批判以及保守和右翼媒体的抨击,他对此少有正面回应,但将因此而承受的恐惧写入系列小说,创造了长江古义人这一形象来对抗媒体和暴力的共振,以此表明反核的坚定信念。本文论述了大江健三郎在反核中所遭受的种种暴力、大江的回应方式、歧见背后文学观和政治观的分歧,以及日本探讨核问题的政治生态。 Since the Second World War, Japan has suffered atomic bombings and nuclear radiation successively and has lived in the horrors of the nuclear threat for a long time. However, the Japanese government has long persistently pushed forward its nuclear policy, which has caused the dissatisfaction of the Japanese public and raised many anti-nuclear campaigns on many occasions. In the intelligentsia, there is no longer a strong anti-nuclear stance and long-term commitment to anti-nuclear as the theme of writing, than Oe Kenzaburo. In the course of the long course of anti-nuclear revolution in the river, he was constantly criticized by some intellectuals and was attacked by the conservative and right-wing media. He rarely responded positively to this but wrote the series of novels thus creating the ancient righteous people in the Yangtze River Image to counter the resonance of the media and violence as a sign of the firm conviction of opposing the nuclear issue. This article discusses the violence that Kenzaburo Oe Kenzaburo suffered in the anti-nuclear struggle, the way in which Oe’s responded, the disagreement between the disagreements on literature and politics, and Japan’s political ecology of exploring the nuclear issue.