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在艺术批评领域的“XX”词群中较先形成的是“70后”概念,这个词在上个世纪90年代初期已在文学领域被用来标识70年代出生的年轻诗人,在21世纪初由朱其引入艺术批评的领域,2005年更举行了题名为“70后,艺术:市场改变中国后的一代”的展览。随后衍生了“50后”(使用频率较低)、“60后”、“80后”、“85后”等词语,近几年又有“90后”词汇在艺术宣传领域的大量运用。在使用这些概念时,我们需要反思它们在叙述艺术家群落或艺术现象时的内在逻辑。
In the field of art criticism, the first phrase in the “XX ” group is the concept of “70 ”, which was used in the literary field in the early 1990s to identify the young poets born in the 1970s. At the beginning of the 21st century, Zhu Qi introduced art criticism to the field. In 2005 he even held an exhibition titled “The Post-1970s, Art: The Market After the Change of China”. Subsequently derived from “50 after ” (less frequently used), “60 after ”, “80 after ”, “85 after ” and other words, in recent years there are Vocabulary in the field of artistic propaganda extensive use. In using these concepts, we need to reflect on their internal logic in describing the community of artists or artistic phenomena.