王尔德在其四部社会风俗喜剧中颠覆了理想与现实——这一传统二元对立论,他认为现实中的理想并不存在,面对生活,惟有宽容。虽然诞生于王尔德逝世半个多世纪之后,解构主义的反二元论的观点却与王尔德不谋而合。本文在文本分析的基础上,运用解构主义反二元对立的理论,揭示了其喜剧的主旨:放弃理想,接受宽容。 Wilde subverts the ideal and the reality in his four social and custom comedies - the traditional dichotomous theory. He believes that the ideal in reality does not exist. In the face of life, there is only tolerance. Although born half a century after Osamader’s death, deconstruction’s anti-dualism did not coincide with Oscar Wilde. Based on the textual analysis, this dissertation uses the theory of inverse dualism of deconstruction to reveal the essence of his comedy: to abandon the ideal and to accept tolerance.