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从中国现代文学“史”的高度考察女佣这一形象谱系,虽然她们没有成为被许多作家青睐而常写不衰的焦点,但是,在少数现代作家的文学理解视阈中,她们这类人物形象一样负载着深刻的内涵,是一种有其特殊意义的文化能指而倍受关注。鲁迅笔下的祥林嫂,长妈妈,是“老国愚民”的典型;在巴金与曹禺的笔下,她们是男权专制下“底层弱者”的化身;四十年代的解放区作家更多从社会阶级意识的层面塑造女佣。现代文学中的女佣形象,大体上都负载着不同时代的主
From the perspective of modern Chinese literature “Shi”, I examine the image of maids as a pedigree. Although they have not become the focus of many writers, they are still frequently used in writing. However, in the literary understanding of a few modern writers, Like the human character image carries a profound connotation, is a kind of cultural means with its special significance and much attention. In the writings of Lu Xun, Xianglinsao and Long-momma are the typical examples of “old countrymen and fools”; in the writings of Ba Jin and Cao Yu, they were the embodiment of the “underdeveloped people” under the patriarchal monarchy. In the 1940’s, More from the level of social class consciousness shaping the maids. The image of maids in modern literature is generally loaded with the Lord of different times