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本文以“对偶表现的本质”作为视点 ,分别将“七言排律”同“五言排律”、“七言古体诗”等盛行的诗型加以比较 ,认为“七言排律”不盛行的原因主要在于其“对偶性的过剩化”导致了“整合性的弛缓化”、“自我完结性的反复化”这样一连串的蛇足而被淘汰。
In this paper, taking “the nature of duality” as the point of view, this article compares the “Seven-Character Argument” with the prevailing patterns of “Five-Character Argot” and “Seven Character Ancient Style Poems” The main reason is that its “duality of duality” led to a series of snakes such as “integrated relaxation” and “self-ending repetition”.