论文部分内容阅读
这张图片出自上海艺术家胡昀的散文式影像《中国遍地都是美术馆,中国没有美术馆,中国需要的,也许不仅仅是美术馆?》(2012-16)。沿着斜坡地面滚动的玻璃珠,被卡在从地面楼层插入展厅的硕大手扶梯上。镜头所纪录的,是2010年上海世博会法国馆所特别设计的一整组用来推动观众前进的坡道展厅。展场空旷,色调灰冷,像是某种负托邦(dystopia)的场景。在这个影像笔记式的短片中,胡昀将镜头对准上海世博园区
This picture comes from the essay-style image of Shanghai artist Hu Yun. “There are art galleries all over China. There is no art museum in China. What China needs, maybe more than art galleries?” (2012-16). Glass beads that roll along the slopes of the ground are stuck in huge escalators that are inserted into the exhibition hall from the ground floor. The lens is recorded by the 2010 Shanghai World Expo France Pavilion specially designed a group of rampants to promote the progress of the audience. The show is empty and gray, like some dystopia scene. In this short video clip, Hu Yun looks at the Shanghai World Expo site