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乔治·桑作为19世纪法国浪漫主义文学的先驱,在法国文坛上占据着独一无二的位置。而在中国,沈从文自称20世纪的“最后一个浪漫派”[1]。二者的浪漫主义创作都蕴含着浓厚的卢梭美学思想,表现出对于自然风光的赞美和对自然人性的推崇。本文拟以卢梭美学为视角,比较探讨沈从文的《边城》和乔治·桑的《魔沼》。
As a pioneer of nineteenth-century French romantic literature, George Sang occupies a unique place in the French literary world. In China, Shen Congwen claimed to have “the last romance of the 20th century” [1]. Both romantic creation contains a strong sense of Rousseau aesthetic, showing the appreciation of the natural beauty and respect for natural humanity. This article intends to use Rousseau’s aesthetics as a perspective to compare Shen Congwen’s “Border Town” with George Sang’s “Magic Moo.”