在很长一段时间里,版画界都在旧有传统、现代确立的新传统与当代突然涌现的各种新思潮、新观点间徘徊、纠结。中国有历史悠久、内涵极为丰富的传统木刻版画,在上世纪兴起的新兴木刻版画运动中又突然转换到另一套西方的艺术语言,进而形成新的传统。现在,推崇观念优先的当代艺术的创作思路正不断被移植到版画领域。作为版画创作者,我试图把自己对传统文化的思考,对西方文化近百年改造、挑战中国传统文明的思考,对中国当 For a long time, the printmaking circles all wandered and tangled with the old traditions, the new traditions established by the modern times, and the various new ideas and new ideas that suddenly emerged in the present age. China has a long history and rich connotation of traditional woodcut prints. It suddenly transformed itself into another Western art language in the emerging woodblock printing movement of the last century, thus forming a new tradition. Nowadays, the creative thinking of contemporary art that respects concept priority is being constantly transplanted into the field of printmaking. As a creator of printmaking, I try to reflect my thinking on traditional culture, reconstruct the western culture for nearly a century, and challenge the traditional Chinese civilization,