放松,是钢琴学习中恒久不变的话题,但是放松不同于松懈,它也该有适度的紧张,需要演奏者把握好两者的关系和尺度。同时,身体和心智也是我们学习钢琴中不可忽视的两个方面。只有充分的掌握“松”与“紧”的辩证关系,协调好生理与心理的关系,才能表现出富于戏剧化的表现力和感染力,才能更深刻的打动听众。因此,在钢琴教学中注意放松训练有着重要的意义。 Relaxation is a permanent topic in piano learning, but relaxation is different from relaxation, it should also be moderate tension, requiring the player to grasp the relationship between the two and the scale. At the same time, the body and mind are also two aspects that we can not ignore in learning the piano. Only by fully grasping the dialectical relationship between “loose” and “tight” and coordinating the relationship between physiology and psychology can we display dramatic expression and contagious power to impress the audience deeply. Therefore, it is of great significance to pay attention to relaxation training in piano teaching.