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从视觉角度,通过对贵州傩堂戏与道教视觉语言的比较,发现傩戏中存在着大量的道教元素,可以确定两者在发生、发展中有着密切的联系。由于道教是一种宗教文化,傩戏只是傩文化中的一个具体表现形式,因此,在做横向对比时,则将傩戏这一特殊载体回归到傩文化或傩坛的范畴与道教进行比较,试图对两者现实存在的关系进行补充说明。
From the visual angle, through the comparison between Guantang opera and Taoist visual language, we find that there are a lot of Taoism elements in Yu opera, and we can conclude that there is a close relationship between the two in occurrence and development. Since Taoism is a religious culture, Nuo opera is only a concrete manifestation of Nuo culture. Therefore, when making a horizontal comparison, the special carrier of Nuo drama is returned to the category of Nuo culture or Taoism for comparison with Taoism. Trying to supplement the explanation of the relationship between the two reality.