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中国传统绘画有两个较为完整的审美系统,一个是宫廷院体绘画系统,在造型上讲究严谨准确,在色彩上追求富丽鲜艳,重法度,以写实为主;一个是文人画系统,在造型上讲究意象传神,超以象外,在色彩上追求水墨为上,重逸品,以写意为主。我国宫廷绘画有着悠久的历史,经过发展,在五代建立了宫廷画院,初步形成院体绘画风格。到了两宋,宫廷画院无论是在体制建设、画家队伍的规模,还是在院体绘画内容题材、艺术形式,以及取得成就方面,都达到中国绘画史上一个鼎盛繁荣时期。但由于宋元替变,江山易主,废弃画院,失去帝王支持,文人画家群体的崛起和审美趣味转变以及绘画的品评标准变化等多方面原因,导致了宫廷院体绘画在元代时期开始走向衰落。
There are two relatively complete aesthetic systems in traditional Chinese painting. One is the palace court painting system, which is rigorous and accurate in the modeling. It pursues rich and vivid colors and focuses on realistic colors in color. One is the literati painting system, On the vivid image, super as the outside, the pursuit of color on ink, heavy Yi and goods, mainly freehand. Court painting in our country has a long history. After its development, the court art academy was established in the Five Dynasties and the painting style of the academy was initially formed. In the two Song dynasties, the court art academy reached a prosperous prosperity period in the history of Chinese painting both in the system construction, the scale of the painter’s team, the theme of the body painting content, the art form, and the achievement. However, due to many reasons, such as the change of the Song and Yuan dynasties, the exile of the country, the abandonment of the art academy, the loss of imperial support, the rise of literati painters, the change of aesthetic taste and the change of the evaluation standards of painting, Decline.