岁末,以“写意精神”“写意中国”和“写意油画学派”等为主题的油画展扎堆展开,这些画展所选画家和作品不外是用笔率性、敢于放胆涂抹的那种类型,似乎这就是油画的本土化,就是最鲜明的“中国精神”了。其实,稍了解些欧洲油画艺术史或去过卢浮宫,奥塞美术馆、大都会美术馆,领略过浪漫主义、印象主义、后印象主义那些大师名家珍品的人,都不难判断,用笔的率性与恣肆并非中国油画的专利。且不说印象派、后印象派那些大画家如何讲究用笔与色彩的关系,从而将笔触的审美作为画面的重要组成凸显而出,就说给印象派以极大启迪的 At the end of the year, the oil painting exhibition entitled “Deliberate Spirit”, “Freehand China” and “Freehand Oil Painting School” was held together. The painters and works selected in these exhibitions are nothing more than penmanship and boldness The type of painting, it seems that this is the localization of oil painting, is the most clear “China Spirit ”. In fact, a little understanding of the history of European art of oil painting or to go to the Louvre, Osseuse Museum, the Metropolitan Museum of Art, a taste of romanticism, impressionism, post-impressionist masterpieces of those masters treasures, are not difficult to judge, Possibilities and unbridled pens are not patents for Chinese oil paintings. Not to mention the impressionist, post-impressionist painters how to pay attention to the pen with the relationship between color, so as to highlight the strokes of the aesthetic as an important part of the screen, to say that Impressionism with great inspiration