一.词源追溯在现代的古琴演奏中,右手甲肉并用,以弹拨琴弦发声,是为散弹音,若辅以左手,在一定的徽位处,配合压按琴弦,是为按弹音,若在徽位上虚按,是为泛音,左手上下抚弄弦,则可发出吟挠绰注之跌宕起伏妙音。因此,弹琴、抚琴一词常常用来描述古琴演奏,以及和古琴演奏相关的文物。然而,出现时间最早的“鼓琴”一词却渐渐淡出今人视野。“鼓琴”一词常见于《诗经》、《周礼》、《吕氏春秋》等先秦文献中。《诗经·小雅·鹿 I. etymology tracing In the modern performance of guqin, the right hand with a nail, the strumming string sound, is scattered sound, if supplemented by the left hand, at a certain emblem at the press with the string, is pressed Missing tone, if the virtual press on the emblem, is overtone, left and right strum chord, you can send Yin Yin Chu Chao ups and downs wonderful sound. Therefore, playing the piano, the word Fuqin is often used to describe the performance of guqin, as well as the guqin related artifacts. However, the earliest appearance of the “guqin” is gradually fading out of today’s vision. “Drums ” The term common in the “Book of Songs”, “Zhou Li”, “Lu Spring and Autumn Period” and other pre-Qin literature. "Book of Songs Xiaoya deer