中国第四代导演中女导演占据了重要的地位,无论是在数量上还是影片质量上都位居世界前列。与此同时,中国社会和女性意识都在经历着重大的变革。本文将分两方面探讨中国第四代导演中女性导演是如何在影片中体现作为女导演的性别意识。第一是历史大环境中第四代女导演的女性意识。第二是在视听语言上,第四代女导演逐渐出现的性别表达。 China’s fourth-generation directors in the female director occupies an important position, both in terms of quantity and quality of the film are among the highest in the world. At the same time, Chinese society and women’s awareness are undergoing major changes. This article will explore in two ways how the female director of the fourth generation of Chinese directors embodies the gender awareness as a female director in the film. The first is the female consciousness of the fourth-generation female directors in historical contexts. The second is in the audio-visual language, the fourth generation of female director of the emerging gender expression.