语言总被认为是音乐构成的一个重要因素,但在不同的时空条件下,当具体接触到一个民族或一个民系的音乐时,语言或可能退居于不尽重要的位置而为诸如历史的、文化的、社会的种种因素所代替。本篇论文从语言的角度,论证畲族这个使用近似汉语客家方言的民族,其音乐与语言的诸多不合作所显示的自身音乐特性之遗存,从而提出在直面现代化进程之势不可挡、弱小民族的文化将为强势民族文化所吞噬的现实时,重视保存并挖掘、提纯弱势民族遗存的音乐文化特性以为弘扬传统的基础及获取其中可能蕴含的古远的文化信息等问题的重要性。 Language is always considered as an important factor in the composition of music. However, under different conditions of time and space, when the music touches a nation or a people’s department, the language may retreat to an important place for historical purposes such as history , Cultural, social factors replaced. From the linguistic point of view, this essay proves the persecution of the ethnic Shezu, a nation that uses the similar Hakka dialects, and the uncoordinated music and language shown by many of them, and thus proposes that the culture of the irresistible and weak minorities in the face of the modernization process For the reality engulfed by the strong national culture, the importance of conserving and excavating and purifying the musical cultural characteristics of the weakened ethnic relics in order to carry forward the traditional foundation and acquire ancient cultural information that may be contained therein is emphasized.