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我们的党,从来就是重视扶植新生力量的。在社会主义的剧院里,培养青年演员永远是一项重要工作。这是为了适应客观形势的需要,是要在社会主义戏剧事业的建设过程中,实现党的扶植新生事物的原则。在艺术实践中培养更多的又红又专的新人在目前就尤其显得迫切了。中国青年艺术剧院的青年演員,大部分是从文工团或学校里,直接转入话剧专业来的,有的人虽经受过一定的革命锻炼,但都没有经过较系统的艺术理论学习和表演技巧上的锻炼。这些青年演员一般说来都能听党的话,要求思想进步,在业务上也肯刻苦学习。但是,他们对文艺工作还有一些不正确的认识,有一些青年演员存在着“为艺术而艺术”、“为名利而演戏”的资产阶级艺术观点,他们把政治和艺术分割开
Our party has always attached great importance to supporting the new forces. In a socialist theater, training young actors is always an important task. This is to meet the needs of the objective situation and to realize the principle that the party should build new things in the process of building the socialist theater. It is especially urgent nowadays to cultivate more red and new talents in artistic practice. Most of the young performers at the China Youth Art Theater come directly from the art troupes or schools to drama professionals. Some people have undergone a certain amount of revolutionary work but have not undergone systematic art theory study and performance skills Exercise. Generally speaking, these young actors can listen to the party’s words, ask for improvement in their thinking, and work hard in their business. However, they still have some incorrect understanding of literary and art work. Some of them have the bourgeois artistic viewpoint of “art for art” and “fame for fame and fortune”. They divide politics and art