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如果说摄影是对存在着的事物之影像的一种摄取的话,观者却无法从“时间里外”系列、“洗脑”系列或“拉康的看见”等作品中找到摄影的影像与事物之影像间的相似性:影像找不到它们再现的原型。诗歌与文学早已走出了模仿论或再现论,绘画也是如此,但人们以为摄影会一直保持着它与事物之间的模仿关系,或最低限度的呈现关系,因为摄影的功能就是要记录物质世界的原貌或摄取事物的影像。然而呈现在子夏“时间里外”系列中的影像不是任何一种自然空间或生活空间中的影像。影像的意义不再依赖它
If photography is an ingestion of the images of things that exist, the viewer can not find it in his works such as Time Series, Brainwashing, or Lacan’s Seeing Similarities between the images of photography and the images of things: Images can not find a prototype of their reproduction. Poetry and literature have long since gone out of the field of imitation or reproduction, as well as painting, but people think that photography will always maintain its imitative relationship with things or at least show the relationship because the function of photography is to record the material world The original appearance or taking pictures of things. However, the images presented in Zixia ’s “Time And Time” series are not images of any kind of natural or living space. The meaning of the image no longer depends on it