基于后现代语境方法之上，伽达默尔对真理的解读与现代主义、本质主义坚持的绝对、唯一确定的真理完全不同。他通过对艺术经验中真理问题的研究，认为真理是相对的、多元的，具有心理意向性的语境化了的真理；对这种真理的探寻主要靠具体情境中的体验与领悟才能完成，从而体现语境的本体论地位，展示真理与意义的丰富多样性与反基础主义的特征。 Based on the postmodern contextual approach, Gadamer’s interpretation of truth is completely different from the absolute and only definite truth that modernism and essentialism uphold. Through the study of the truth in the artistic experience, he believes that truth is a relative, pluralistic and psychologically intelligible truth that is contextualized. The exploration of this truth can only be accomplished through experience and comprehension in specific contexts. Thereby embodying the ontological status of context, displaying the rich diversity of truth and meaning and the features of anti-foundationalism.