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戏曲流派是艺术成熟的标志,也是艺术高峰的标志。京剧的“四大名旦”、“四小名旦”、“前四大须生”、“后四大须生”,越剧的袁(雪芬)派、王(文娟)派、徐(玉兰)派,豫剧的常(香玉)派,评剧的白(玉霜)派、新(凤霞)派、马(泰)派、魏(荣元)派等等,莫不如此。认真考察分析评剧流派的艺术成因,对繁荣今天评剧的流派艺术,从而发展整个评剧事业,都是大有裨益的。为此,笔者愿结合自己多年来的评剧表演艺术实践及理性思考,谈几点粗浅看法。总的说来,我以为评剧流派的艺术成因主要有以下三大方面。
Drama genre is a symbol of the art of maturity, but also the symbol of the peak art. The Four Famous Fame, the Four Famous Fame, the Four Greatest Sisters of Peking Opera, The Four Greatest Beings, the Yuan (Xue Fen) School of Yue Opera, the School of Wang (Wenjuan) School, Xu (Magnolia ), Often (incense jade) school of opera, white (jade frost) school of Ping opera, new (Feng Xia) faction, horse (Thai) faction, Wei (rong yuan) faction and so on. It is of great benefit to conscientiously study and analyze the artistic causes of Pingju School and to promote the genre art of Pingju School today so as to develop the entire Pingju opera. To this end, I would like to combine their own years of drama performance art practice and rational thinking, to talk a few superficial views. In general, I think the main causes of the art of Pingju genre have the following three aspects.