1990年春节前夕,《上海文化年鉴》摄影记者管一明敲开了著名电影导演汤晓丹的家门。25年过去,管一明先生至今印象最深刻的还是汤家悬挂在五斗橱和窗台下林林总总数十张贺年卡。满头银发、身着绒线外套端坐在写字台前的汤晓丹语调迟缓而清晰地说:“这都是我的学生和两个儿子从世界各地寄给我的,看到这些卡片,就像看到了这些孩子们。”那一年的汤晓丹,已年届八 On the eve of the Spring Festival of 1990, Guan Yiming, the photo-reporter of “Shanghai Culture Yearbook,” knocked on the door of the famous film director Tang Xiaodan. In the past 25 years, Mr. Guan Yiming has impressed me most today with dozens of Lunar New Year cards hanging under chest of drawers and window sills. Full of silver-haired, dressed in fleece jacket sitting in front of the desk Xiaodan tone slowly and clearly: “This is my students and two sons sent to me from around the world, see these cards, like To these children. ”" That year, Tang Xiaodan, has been eight years