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当代中国美术学科的专业界限日趋模糊,思路却更为宽泛,水墨画的审美理念由此也悄然发生质变。其创作手法越发自由,材料运用愈加多样,一方面得力审美认知的提升,一方面缘于“跨界”水墨的兴盛。当下,不管是从事中国画实践和传统艺术研究,还是从事平面设计与工艺装饰,参与者合力拓展了水墨表现的物质空间,以多元化造型全方位宣叙现代文化语境。
Contemporary professional art disciplines in China increasingly blur the boundaries, ideas are more broad, thus aesthetic concept of ink painting quietly qualitative change. The more freedom of creation, the more diverse the use of materials. On the one hand, the improvement of aesthetic cognition can be achieved. On the one hand, the flourishing of “cross-border” ink and wash. At present, no matter engaged in Chinese painting practice or traditional art research, or engaged in graphic design and craft decoration, participants work together to expand the material space of ink and wash performance and comprehensively describe the modern cultural context with diversified shapes.