20世纪以来,工笔重彩艺术的发展经历了举步维艰、曲折坎坷的历程。一方面是社会动荡,内忧外患,战乱不断,缺乏富裕安定的客观发展条件。另一方面则是文人画观念犹居主导地位,认为工笔画工丽近俗,以致学者却步。建国后情况好转,但由于提倡人物主题先行,水墨画发展优于工笔画。直至新时期到来,思想再度解放,工笔重彩画界志士仁人在老画家潘洁兹先生领导下,成立画会等创作与研究组织,工笔画优越性渐为人们认识,从事者越见众多,精品力作不断涌现,终于蔚成风气。当然,工笔艺术的发展离不开改革开放、安定富足的社会大环境。即从历史情况看,在封建社会上升期,即唐、宋时期,工笔原早与 Since the 20th century, the development of meticulous art has undergone tremendous difficulties and twists and turns. On the one hand, it is an objective development condition of social turmoil, internal and external disturbances, continual war chaos and lack of prosperity and stability. On the other hand, it is the dominance of literati painting and decorating the concept of dwelling place. The situation improved after the founding of the People’s Republic of China, but because of the promotion of the theme of the characters, the development of ink-and-wash painting is superior to the brushwork. Until the new era arrives, the thought is liberated once again, and the painterly clergyman Chester and Jennifer set up the creation and research organization of the painting society under the leadership of the old painter Pan Jiezizi. The superiority of the painting and calligraphy became more and more known. The more and more people engaged, Masterpieces continue to emerge, and finally Wei into the atmosphere. Of course, the development of art in fine brushwork is inseparable from the social environment of reform and opening up and stability and affluence. In other words, from the historical point of view, in the rising period of feudal society, that is, during the Tang and Song Dynasties, the original and original works of the genre were