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张大千在敦煌之行、西康之游后,艺术生命进入了辉煌灿烂的时期,但由于中国社会发生了巨大的变革,种种原因促成他离开了祖国。作为一个艺术家,或许去与留并不重要,因为张大千那颗热爱祖国、热爱家乡、热爱艺术的,心并没有冷却,相反却像一团不熄的火充满了热情。张大千在敦煌2年零7个月,共绘制了大小尺寸不同的276幅敦煌绘画。这些绘画集中了中国古代4世纪至14世纪的造型艺术,题材广泛,包括佛教人物、经变故事、因果故事、建筑彩绘图案等。张大千还将敦煌洞窟的现状及艺术心得撰写成文字资料《石屋记》。
After Zhang Daqian’s visit to Dunhuang and Xikang’s tour, artistic life entered a splendid period. However, due to the great changes in Chinese society, various reasons led him to leave the motherland. As an artist, perhaps it is not important to go and stay, because Zhang Daqian’s love of the motherland, love of hometown, love of art, the heart is not cooling, on the contrary it is like a mass of fire is full of enthusiasm. Zhang Daqian in Dunhuang 2 years and 7 months, a total of drawing size and size of 276 Dunhuang paintings. These paintings focus on the art of molding from the fourth to the fourteenth centuries in ancient China. They cover a wide range of topics including Buddhist figures, changing stories, causal stories and architectural painted patterns. Zhang Daqian Dun Dun caves will also be the status quo and artistic experience writing written information “stone house mind.”