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文艺美学作为当代世界美学的重要分支,已有三十余年的历史。文艺美学由中国学者提出,经过多年的理论建构,已经臻于学科性的成熟,却仍然有继续发展和提升的必要与空间。文艺美学有浓厚的民族性根基,中国古代的文艺理论是其主要的理论资源。宋代诗论家严羽倡导的“妙悟”说,在中国古代文论和美学传统中有重要的地位,同时有着不可低估的美学理论价值。关于严羽诗学思想的研究成果虽多,但如果从文艺美学的角度来重视观照,“妙悟”说包含了创作论、作品论和鉴赏论互相贯通的理论内涵,可以为文艺美学的内在结构的突破提供有益的借鉴。
Aesthetics of literature and art as an important branch of contemporary world aesthetics, has more than thirty years of history. Literature and art aesthetics proposed by Chinese scholars, after years of theoretical construction, has reached the maturity of the discipline, but there is still the need and space for continued development and upgrading. Aesthetics of literature and art has a strong foundation of national character. The ancient Chinese theory of literature and art is its main theoretical resource. Yan Miao Wu, advocated by Yan Yu, a poetist in Song Dynasty, said that he has an important position in the ancient Chinese literary theory and aesthetics tradition, and at the same time has the value of aesthetic theory that can not be underestimated. There are a lot of research results about Yan Yu’s poetic thought. However, if we emphasize on the light of literary aesthetics, the theory of literary aesthetics contains the theoretical intension of creation, work and appreciation, The inner structure of the breakthrough provides a useful reference.