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本文试图从精神分析和元小说的层面对贝克特三部曲的第一部《莫洛伊》进行剖析和解读 ,以展示其主人公心灵生活更广泛更重要的、甚至无意识的领域 ,进而揭示贝克特对人的本质和对作家艺术创作本质的深刻思考。该小说不仅描写了两个主人公莫洛伊和莫兰寻找母亲和寻找自我的旅行 ,同时也记述了一个作家构思小说的心路历程 :一个作家的创作过程就是不断发现真实自我 ,即潜意识的自我 ,并实现意识主体与意识客体、理性与非理性的交流和对话。
This article tries to analyze and interpret the first “Molloy” of Beckett trilogy from the aspects of psychoanalysis and metafiction to show the more important and even unconscious areas of her protagonist’s spiritual life, Tentatively Talking about the Essence of Human Being and Profound Consideration on the Essence of Authors’ Artistic Creation. The novel not only depicts the two protagonists Molloy and Moran looking for mothers and looking for self-travel, but also describes the mentality of a writer’s conceptual fiction: a writer’s creative process is to constantly find the true self, subconscious self, And realize the exchange between the subject of consciousness and the object of consciousness, and the exchange of reason and irrationality.