艾略特早期诗歌作品“前奏曲”(Preludes)一直不太被评论界重视。究其原因,可能是评论界认为这首“前奏曲”在主题和风格上并没有什么独特的发展,加之它篇幅较短,表现的主题不仅没有超出《普鲁弗洛克的情歌》的范围,反而还受到了一定限制。但是,笔者则认为,与艾略特早期创作的其他诗歌作品相比,这首诗歌不仅呈现出不同特征,而且与艾略特后期思想有着更多联系。通过运用相关的话语分析理论和方法,尤其是功能语言学理论和分析方法,本文探讨了这首诗歌中人称代词蕴涵的丰富意义,揭示了它们在不同语境中的具体所指和关系,最后指出这首诗歌的主题使之呈现出不同于其他早期诗歌的独特性,即更多地强调了诗人面对庸俗生活时的积极态度,肯定了想象具有的超越能力,从而留下了直接通向其后期创作主题和审美追求的隐秘路径。 Eliot’s early poetry “Preludes” has not been valued by critics. The reason may be that the critics think this song “Prelude ” in the theme and style and no unique development, coupled with its shorter length, the performance of the theme not only did not exceed the “Love Song of Prufrock” Range, but also subject to certain restrictions. However, in my opinion, this poem shows not only different characteristics but also more connection with Eliot’s later thoughts than other poems written by Eliot in the early days. Through the use of related theories and methods of discourse analysis, especially functional linguistic theories and analytical methods, this paper explores the rich meanings of the personal pronouns in this poem, reveals their specific meanings and relations in different contexts, and finally Pointing out that the theme of this poem makes it distinctive from other early poems, that is, emphasizing more the poet’s positive attitude in the face of vulgar life, affirming the surpassing ability of imagination and leaving a direct link Its later creative theme and aesthetic pursuit of the hidden path.