写散文的人最好阅历丰富,走过很多地方,认识很多人,经历很多事,除了基本的文化素养,再多些吹拉弹唱、花鸟鱼虫的杂学。我读沈从文、汪曾祺两先生的作品,油然而生此感,喜其文,复羡慕其人。明人忘乎所以于记录他们艺术化的生活,半实半虚,虚实不分;清人质朴,喜欢纪事,亦文亦史,从南朝一路延续不绝的骈文小赋,本质上是诗。所以唐宋人的散文,大多是实用文字:书信、碑铭、记传、策论、奏折、序跋、论文……汉人也是如此,不过更质朴厚重。先秦根本没有为散 Those who write essays are best experienced, go through many places, get to know many people, experience many things, and in addition to their basic cultural accomplishments, learn more about singing and dancing, miscellaneous studies on flowers, birds and insects. I read the works of Shen Congwen and Wang Zengqi, both of whom came out spontaneously, who liked their writing and admired them. Ming people forget so much to record their artistic life, half-empty half-empty, regardless of actual situation; Qing people simple, like the Chronicle, also the history of literature, from the South all the way to continuous small Fu, is essentially a poem. Therefore, the essays of the Tang and Song dynasties are mostly practical words: epistles, inscriptions, records, strategizing, memorials, prefaces and postscripts, essays ... as well as Chinese, but more rustic and thick. Pre-Qin did not scattered