步入莫言的小说世界,首先打动你的并不是故事和人物,而是那奇谲的叙述语言本身。如同其他新潮作家,莫言有着强烈的语言本体意识,对文学语言进行了富有个性特色的开拓、实验、创新。文学是语言的艺术,日常语言帮助我们明白、清晰地表意,有助交际和理解,然而其规范性、公共性又压抑了个体丰富的生命感受、审美情调和联想。因此,作家总是有美学目的地松动习惯语言框架的关系,淡化约定俗成的语言规律和原则,对语言进行随意性的遣用,追求个性化、陌生化,达到内容与形式的完美融合,创造出丰厚幽奥变异的审 Into the world of Mo Yan’s novel, the first move you is not a story and characters, but the odd language of the narrative itself. Like other trendy writers, Mo Yan has a strong sense of linguistic ontology and has pioneered, experimented and innovated his literary language with its own personality. Literature is the art of language. Everyday language helps us understand clearly and clearly, and helps to communicate and understand. However, its normative and public nature depress one’s abundant life experience, aesthetic mood and association. Therefore, writers always have the relationship of loosely used language framework of aesthetic destination, dilute the conventional language rules and principles, arbitrarily deregulate language, pursue individualization and defamiliarization, and achieve the perfect fusion of content and form to create The trial of a rich and secular variation