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随着《英雄》的上映,第五代导演纷纷向“奇观化”转型,影片票房奇迹的背后却隐藏着人文意义的危机——叫座不叫好;而第六代导演的“私语化”表达方式真实地描述了普通人物的日常生活,影片虽在国外屡屡获奖,却很难在国内各大院线上与观众见面——叫好不叫座。从当前这种悖论现象可以看出,我国奇观化电影商业性气氛浓厚,艺术性价值不高;私语化电影虽具有一定的艺术性,但缺乏观赏性,观众认可度不高。如何做到商业性与艺术性的统一是我国广大的电影工作者应该思考的问题。
With the release of “Heroes”, the fifth generation of directors have transformed from “spectacle” to “mystery.” Behind the box office’s miracles are hidden crises of humanistic significance - "Expression truly describes the daily life of ordinary people, although the film often win awards in foreign countries, it is difficult to meet with the audience on all major domestic cinema - applauded. From the current phenomenon of paradox, we can see that the commercial atmosphere of the spectacular movie in our country is thick and the artistic value is not high. Although the crooked movie has a certain artistry, it lacks appreciation and audience recognition is not high. How to achieve the unification of commerciality and artistry is one of the questions our movie workers should think about.