一、文化意象的来源我国古代艺术理论以及美学中的一个十分重要的内容就是意象。比如在《周易》中就有这样的记载:“子曰书不尽言,言不尽意……圣人立象以尽意,设卦以尽情伪……变而通之以尽利,鼓之舞之以尽神。”从中我们不难发现我国古代的文学就十分注重意象。而刘勰在《文心雕龙》中对于意象也有类似的论述:“独照之匠……此盖驭文之首术……”在刘勰之后的文学大叔王昌龄、 First, the source of cultural images China’s ancient art theory and aesthetics is a very important part of the image. For example, in the “Book of Changes” there is such a record: “Sub-book is not full of words, did not mean ... ... Sage portrait to do everything in mind, The dance to do God. ”From which we can easily find that ancient Chinese literature is very focused on the image. And Liu Xie in the “Wen Xin Diao Long” in the image for a similar argument: “The unique writer ... ... The cover of Yu Wen’s first technique ... ” Liu Fang in the literary uncle Wang Changling,