立体空间、体积结构的艺术表现一直是雕塑造型研究的重点之一。20世纪初随着西方工业革命的高速发展及工业产品造型、实用主义对人们艺术审美观念的影响,涌现出了如布朗库西、维隆、贾柯梅蒂、扎克丁等在雕塑艺术上革新,颠覆传统艺术造型观念的雕塑艺术家,他们的一批作品简约中蕴含着对雕塑立体结构进行抽象、提纯,与传统雕塑艺术截然不同,在20世纪初的雕塑创作中极具代表性。无论这些作品采用了何种形式,使用了何种材料,抑或是表现的内容各有所别均因其新的形态出现而成为分析这一时期雕塑艺术发展的重要对象。法国巴黎蓬皮杜艺术中心侧旁的布朗库 Three-dimensional space, the volume of the artistic expression of the structure has always been one of the focuses of sculpture modeling. In the early 20th century, with the rapid development of the industrial revolution in the West and the molding of industrial products, the influence of pragmatism on people’s artistic aesthetic concepts emerged such as Brancusi, Weilong, Giacometti, Zakudin and others in sculpture art Innovation and subversion of the traditional concept of artistic modeling sculpture artists, their works contain a simple three-dimensional sculpture of the three-dimensional structure of the abstract, pure, very different from the traditional art of sculpture, sculpture in the early 20th century very representative. No matter what form these works adopt, what kind of materials they use or the content of their performances are all important objects for analyzing the development of sculpture art during this period because of their new appearances. Brown library beside the Pompidou Center in Paris, France