论文部分内容阅读
本文以中国哲学中的“和合”思想为切入点,从审美基础、书法审美风格体现、点画运动原理、创作审美矛盾与统一等四个方面论述了书法点画形质中的矛盾和合表现,进一步探讨了“和合”思想在书法艺术的继承与创新上所呈现的三个阶段,即“我合于古”“古合于我”“古我相融”。
This paper, based on the idea of “harmony and harmony ” in Chinese philosophy, discusses the contradictions and co-occurrences in the four aspects of the aesthetic nature of calligraphy, the aesthetic style of calligraphy, the principles of the movement of stippling, the aesthetic contradiction and the unity of writing, This paper further explores the three stages of the “harmony” thought in the inheritance and innovation of calligraphy art, that is, “I associate with the ancient”, “Coincidentally with me” and “Ancient I blend.”