无论如何,观众解读剧作的最佳途径,应当在剧院而不在书斋,因为戏剧的真正价值正体现在它对艺术的综合性及再创造性上。其中导演作为构筑舞台时空、整合戏剧元素的主体,其对原剧作的诠释起着至关重要的作用。导演的诠释离不开舞台,其再创作的过程,就是将剧本不断转化为舞台演出形象的过程。因此形象化即是导演创作始终如一的目的。我们试以闽剧《兰花赋》的舞台演出效果,来解读经过导演诠释了的成功剧作。 《兰花赋》一改以往清官戏的写法,将主人公严子轩的人格蜕变与灵魂拷问作为主要情节,以兰花为戏眼,敷演了一出官场 In any case, the best way for the audience to interpret the play should be in the theater rather than in the studio, because the true value of drama is manifested in its comprehensiveness and re-creation of art. Among them, the director plays an important role in the interpretation of the original play as the main part of constructing the stage space-time and integrating the drama elements. Director’s interpretation can not be separated from the stage, the process of its re-creation, is the process of transforming the script into a stage performance. Therefore, visualization is the consistent goal of the director’s creation. We try to play the orchestra “Orchid Fu” stage performance, to interpret the successful interpretation of the play by the director. “Orchid Fu” changed the style of the past Qing official wording, the protagonist Yan Zixuan personality transformation and soul torture as the main plot, with orchids for the show, played a officialdom