提供施展的舞台UED:在大院的体制下,建筑师的创作环境和状况是怎样的?北京院改制前后有什么变化?李亦农:我来北京院的时候大概是1999年,当时是从一个规模相对小的普通国营单位到了北京院。我原来的那个单位几乎全是做住宅,重复不变,大概不到一年我就在那呆不下去了。刚到北京院的时候有七八个人,那时还没有改革, Provide a stage for display UED: In the compound system, the architect’s creative environment and what kind of situation? Beijing hospital reform before and after what changes? Li Yining: I came to the Beijing hospital is probably about 1999, when from a scale The relatively small ordinary state-owned units went to Beijing Institute. My original unit was almost entirely a dwelling, and it was about the same. I could not stay there in less than a year. When he first arrived in Beijing Institute of seven or eight individuals, then there is no reform,