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新中国的山水画不仅呈现出崭新的绘画面貌,也积累了宝贵的写生经验。其中,五六十年代山水画探索的突出成果是对自然的回归,主要方式之一就是对景写生。此期的写生和传统山水画的写生具有明显区别:传统山水画的写生注重在饱览畅游中的默记与悟识,一般不采取对景描绘,画家未动笔创作的这
New China’s landscape painting not only shows a new look of painting, but also accumulated valuable life experience. Among them, the prominent achievements in the exploration of landscape paintings in 1950s and 1960s are the return to nature. One of the main ways is to sketch sketches. The sketching of this period is obviously different from the sketching of traditional landscape painting. The sketching of traditional landscape painting pays attention to the tacit understanding and enlightenment of taking a dip in the excursion.