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20世纪90年代以来,理性的、客观的、线性的文学理论叙述和批评实践在后理论时代的美国逐渐受到挑战,“生活书写”作为一种现代性文学批评的替代形式逐渐兴起。“生活书写”从个人生活经历出发,融合了自传、传记、信件、博客、推特、文学批评等混杂的文类进行批评,试图把个人与政治、经济、道德等外部力量联系起来,以此拆解文学中的纯粹形式、单一意义、客观性真理等观念,并建构新的批评模式。哈罗德·布鲁姆的“生活书写”既延续了后现代主义文化政治的逻辑,又反映了他回到前现代批评形式甚至非西方的犹太文化传统来解决西方当前文学文化困局的企图。
Since the 1990s, the rational, objective and linear literary theory narration and criticism practice in the post-theoretical era has gradually been challenged by the United States. As an alternative form of modern literary criticism, “writing of life” gradually arises. “Living Writing ” starts from his personal life experiences and criticizes the mixed genres such as autobiography, biographies, letters, blogs, tweets and literary criticisms, tries to connect individuals with external forces such as politics, economy and morality, In this way, the concepts of pure form, single meaning and objectivity truth in literature are disassembled and a new mode of criticism is constructed. Harold Bloom’s “Life Writing” not only inherits the logic of postmodernist cultural politics, but also reflects his return to the pre-modern criticism and even non-Western Jewish cultural traditions to solve the current predicament of western literature and culture The attempt.