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西方传统美学理论对嗅觉美持否定态度,然而,以怡人的芳香为美的审美经验却大量存在于东西方人的审美实践中,并在中国古代美学理论、印度佛经相关理论及西方当代美学理论中得到说明。审美实践表明,美是有价值的愉快对象,有价值的嗅觉对象同样被人类视为美。中国、印度和西方以香为美的实践和学说证明了这一点。与此同时,还应注意嗅觉美与味觉美的紧密联系。而嗅觉美的典型表现形态——自然花香之美与人造香水之美在人类审美感受和创造活动中的大量存在,也为嗅觉美回归美学研究园地提供了鲜活例证。
However, the aesthetic experience of pleasant aroma is abundant in the aesthetic practice of both eastern and western peoples. In the aspect of ancient Chinese aesthetics theory, related theories of Indian Buddhism and western contemporary aesthetics theory In the instructions. Aesthetic practice shows that beauty is a valuable happy object, and valuable objects of sense of smell are also regarded by human beings as beautiful. This is evidenced by the practice and doctrine of the United States, China, India and the West. At the same time, we should pay attention to the close relationship between the beauty of smell and the beauty of taste. However, the typical manifestations of the beauty of smell - the beauty of natural flowers and the beauty of artificial perfume, exist in a great quantity in the aesthetic experience and creation of human beings. It also provides fresh examples for the return of the sense of smell to the aesthetics research field.