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抗日战争的爆发,改变了一批诗人的生活方式,进而影响到他们的诗歌观念和写作策略。诗人何其芳在这个时期对诗人身份、诗歌功能进行了重新定位。何其芳在1936年至1942年延安文艺座谈会之前进行的诗歌创作,显示了从“独语”到“对谈”的转变特征。“对谈”不仅标示了何其芳在延安的生活方式,也是他诗歌的言说内容和结构方式。但是,这种变化是有限度的,在写什么和怎么写的问题上,何其芳既受到外界的干扰,也遭遇到诗歌形式上的困惑。
The outbreak of the Anti-Japanese War changed the way of life of a group of poets, thus affecting their concepts of poetry and writing strategies. He Qifang, the poet, repositioned his poet identity and poetry function during this period. He Qifang’s poetry writing before Yan’an Literary and Art Symposium from 1936 to 1942 shows the changing features from “monologue” to “dialogue”. “Dialogue ” not only marked He Qifang’s way of life in Yanan, but also the content and structure of his poetry. However, this change is limited. On the question of what to write and how to write, He Qifang is not only disturbed by the outside world but also encounters confusion in the form of poetry.